This text argues that melodrama is a crucial mode of expression in modern literature. After studying stage melodrama as a dominant popular form in the 1800s, the author looks at Balzac and Henry James, to show how these "realist" novelists created fiction using rhetoric and excess of melodrama.

In this lucid and fascinating book, Peter Brooks argues that melodrama is a crucial mode of expression in modern literature.

 After studying stage melodrama as a dominant popular form in the nineteenth century, he moves on to Balzac and Henry James to show how these "realist" novelists created fiction using the rhetoric and excess of melodrama - in particular its secularized conflicts of good and evil, salvation and damnation. The Melodramatic Imagination has become a classic work for understanding theater, fiction, and film.