Through a series of watercolour paintings, this book visually combines and layers the vernacular forms of the house, church and garden with the intricate patterns traditionally seen in wallpaper. The relationship between the still life of the painter and the projects of the architect is examined.

Through a series of watercolour paintings, each deliberately cubist in presentation, this text visually combines and layers the vernacular forms of the house, church and garden with the intricate yet two-dimensional patterns traditionally seen in wallpaper. In a combination of inventive and personal drawings, paintings and project proposals, this work investigates the relationship between the still life of the painter and the projects of the architect.